Review: Transmission

Up until recently, I was a Transmission virgin; I had of course heard of the prestigious Trance event, but had never got around to attending it. However, this year I decided that had to change, particularly as it was the festival’s 10th anniversary and I’m now living in Berlin, which is a mere four hours from Prague by bus. I had been told by several different people what an incredible festival Transmission was, but I don’t think anything could have prepared me for just how spectacular a show it would be. Upon entering the venue, I was blown away by the sheer enormity of it and instantly captivated by the dazzling lasers, which darted back and forth. As I made my way to the front, where giant LED screens loomed behind the DJ booth, I became anxious that there might not be enough room to dance, as the place was completely packed – Transmission 2016 had completely sold out. Fortunately though, there was ample space to flail my limbs, which I went on to do wholeheartedly for the next eight hours.

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Transmission 2016’s theme was ‘The Lost Oracle’

My dancing marathon began roughly halfway through MarLo’s set, kicking off with his brilliant remix of The Prodigy’s Smack My Bitch Up. Wow! What a way to start. He went on to play a tune that I didn’t recognise, but loved instantly, and I went on to discover that it’s the new Scot Project track, W5 (Waiting For). After that, we were treated to Kyau & Albert’s latest release, Memory Lane, a lovely little progressive number. Then a cover of a song I never dreamed I’d hear on a Trance night got played: Imagine. This had everyone waving their lighters and phones in the air, while I just stood laughing and shaking my head in disbelief. I later found out that it’s MarLo’s own version and features the vocals of renowned Trance vocalist, Emma Hewitt. It went down a treat on the night, but my favourite moments were yet to come though, as I would rather be fist-pumping to a banging track than waving my lighter around to a slow one. Fortunately for me, the next series of tracks were indeed banging – MarLo played his own Join Us Now, a previous ASOT tune of the week, then I found myself jumping up and down and dancing with a bunch of mad Israelis to Orjan Nielsen’s Between the Rays (another MarLo remix), which was such a lot of fun and definitely the highlight of the set for me. I stayed close to those Israelis for the remainder of the night- they certainly knew how to party! MarLo closed his set with a real belter, I Don’t Deserve You Now by Paul Van Dyk ft Plumb, which of course had everybody singing along and was, in my opinion, the perfect way to finish things off.

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Spot the Brit amongst the Israelis…

A deep, space age voice announced the next act, Markus Schulz, a man I’d seen many times, albeit not for a while. As he made his way on to the stage, the visuals up on the screen portraying a Roman amphitheatre transformed into something which resembled outer space- it was all pretty trippy. Fisherman & Hawkins, who had played at the warm-up party in Mecca the night before, came and joined our ever-increasing group, as did Thomas Coastline, who had been on earlier that night. Markus played a number of his own tracks, such as A Better You, The New World and his release with Ferry Corsten, Loops and Tings. I enjoyed hearing his mashup of Stoneface & Terminal’s Spectre and Sebastien & Hagedorn’s High on You, which preceded Novaspace’s newest release, Cygnus. Like MarLo, Markus surprised us at the end with a cover of an old pop song, Kate Bush’s Running Up That Hill, cleverly reworked by Infusion. After that, we were treated to a 15-minute Transmix by Vision Impossible, during which I opted for a change of scene and walked up to the seating area. The view from there was simply incredible, but nobody was dancing! And with songs like The Theme, Hey Now and Free Tibet, I didn’t see how it was possible not to dance. Back to the barmy Israelis it was.

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The view from above

Next up was Ferry Corsten as Gouryella, who came on at 2am but as the clocks went back that morning, he also ended at 2am. An extra hour of raving was a nice bonus, and totally unexpected, as I had no idea it was happening until I saw the schedule. As you’d expect, Gouryella was the first track that got played, as projections of the man himself appeared on the screen. He then proceeded to alternate between Ferry Corsten tracks, such as Reborn and Anahera, and those produced under the Gouryella alias, like Ligaya and Walhalla. He topped things off with Neba, the much-anticipated follow up to Anahera, an uplifting number reminiscent of Gouryella’s classic style.

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Big Ferry, little Ferry

After Ferry, it was time for the legend that is John O’Callaghan to take to the stage. I’d already seen him play twice over the summer, and his set at Captured Festival in Ibiza was one of the highlights of the year for me. JOC never fails to amaze me though, as this set was totally different; darker and more powerful, which actually I prefer. I can safely say I loved hearing every song that got played, as it was just one banger after another, but the standout tracks had to be the new Will Atkinson song, which I believe is called Chasing After You, and Beg Your Pardon by Bryan Kearney pres. Karney, which is probably my favourite song of the year. Yes, it’s more Techno than Trance, but that suits me just fine as I adore both genres and it’s always nice to have a bit of variety. It was also great to hear Cold Blue’s brilliant remix of Steal This Track for the first time, which I’ve been listening to non-stop since. Naturally, JOC played a number of his own tracks as well, including The Forging of Steel and Lies Cost Nothing, before ending on his Dark mix of Armin Van Buuren’s I’ll Listen. What an absolute stonker of a performance! Once again, the mighty Mr. O’Callaghan’s set was my favourite of the night.

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A highly impressive performance by JOC

Nicely energised after that set, I was ready for the next artists, Driftmoon and ReOrder, who were to DJ back-to-back. Although JOC was a hard act to follow, they managed it quite well, with an uplifting 140bpm set that kept everyone stomping away for the next hour and a half. Songs that stood out were ReOrder & Katty Heath – Love Again and Tritonal’s Blackout. The two men went on to play some Psytrance towards the end, before finishing off with a couple of classics, PPK’s Resurrection and the timeless Silence. Last, but by no means least, it was the popular Psytrance duo Vini Vici’s turn to play to the masses. I was feeling a bit weak after dancing non-stop for so long, so I returned to the seating area and wolfed down a slice of pizza (love that you could buy pizza here) and enjoyed the show from above once again. Vini Vici’s set started with a bang, with their most famous song to date, The Tribe, followed by a Psy rework of Tiesto’s Lethal Industry. I was raving away in my chair – it was impossible not to! Afterwards, I rushed back down to the dancefloor, just as Namaste came on. Amazingly, it was still packed and the crowd were going for it just as hard as they were right at the start. After dropping another of their own tracks, Talking with U.F.O’s, they played a series of classic Trance songs, beginning with Binary Finary’s 1998 and a fantastic mashup of Robert Miles’s Children and We Come in Peace by Liquid Soul & Zyce, followed by Adagio for Strings. After that, it was back to the Psytrance with Tick Tock by Sesto Sento and finishing things off with that much-loved remix of Free Tibet.

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The final act of the night: Vini Vici

Overall, Transmission 2016 far was a tremendous success and far exceeded my expectations. Not only was the music on point, but I could not have asked for a better crowd, plus the ‘Lost Oracle’ show was truly mesmerising, with all the lasers, confetti cannons, smoke displays and onstage dancers. It blew my mind. Can’t wait for Transmission 2017!

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